Indian Music Vs Western Music

Properties

Indian music is evident when dealing with western music. In both systems, you will find some important differences: Indian music is based on a melody or single notes played in a certain order, while the western music harmony, a group of notes, known as the chords are based. all

Dr Rabindranath Tagore, the familiar was with both systems, explains the difference as follows: “The world in broad daylight is synonymous with Western music, a contest of harmony flowing wide, consisting of concord and discord, and many fragments were separated and the world nightstands for Indian Music:.. raga a pure, deep and tenderly touched both our hearts, and yet the two are contradictory in spirit, but of course that nature is at the root in day and night, unity and variety, divided .. finite and infinite.

Indian men living in the realm of the night, we are moves through the feeling of the One Infinite and inspired.

Indian music away from the listener beyond the boundaries of the everyday pleasures and suffering, and leads us into the space-denial alone that at the root of the universe exists, while Western music takes us through an unlimited increase and fall of human joys and sorrows dance.

“Indian classical music arouses our basic spiritual sense and discipline -.. to achieve the desire, even hi Singing is an act of worship and not the exposure of the intellectual mastery of the art of a raga in Western culture is singing a formal exercise, and not secular piety and devotion to Indian music in comparison

The student-teacher (Guru-Shishya) tradition in Indian music is responsible for the dedication and deep commitment to the students of the teacher. To the west is a music teacher as a person engaged to teach lessons seen and there is no connection between teacher and student.

As western music, Indian music is too much on the melody and rhythm, but it has no basis for harmony, which is so important in Western music. Indian music is “modal” – based on the relationship between the duration of each note on the tonic, with successive notes. Therefore, tanpura (UAV) in the background of Indian music, which reminds one of the fundamental tone is played.

The system of Indian classical music is horizontal, one note follows another, whereas Western music is vertical, many notes are played simultaneously. Yehudi Menuhin, musician mentioned, emphasizes the difference between the two systems by describing the Indian music, the know “to appreciate the music of India, a totally different values ​​… we must accept, at least for the period concerned, forget the Over time and slip into a kind of theme, the hypnotic trance. are the rhythmic and melodic features of Indian music repetitive, acquires an extraordinary charm and fascination … Despite the dominance of the rule of the hypnotic mood, which is a characteristic of Indian music . there is an active mind “

The site of the” composition “in these two systems differ significantly in Western music, the music first and foremost by the composer and the area in the notation. While the musicians play the composition under the direction of a conductor. This is the improvisation takes place only, and the value of achievement lies in the homogeneity and conduct pre-determined tone and speed (tempo). In Indian music, while the grammar is defined melody and rhythm, is the ingenuity and skill of the musicians in his creativity and improvisation, especially in the evocation of mood and rasa of a particular raga.

In this context, wrote a musicologist International: “In the West, solid blocks of music are after pruning as building blocks, which has hosted seven steps of the diatonic scale, and placed on top of each other with smart work for harmony and. counterpoint. This sounds fantastic buildings are erected.

In classical Indian music, nobody can the distribution of sound thinking block, but it is refined into a thin wire. Sound is rather to refine an extreme point of delicacy … No standard equipment, a building with three or five storeys, but just wire Silk development and rises and falls and reveals a world of sensations and feelings. “

In Indian music, melody and rhythm of a number of subtleties the offer n ‘is not possible in Western music. Note Indians are in units called Shruti (22 microtones) split, while the western music, consisting of 12 semitones. The microtones are more subtle than semitones. These microtones adorned grace tones (GAMAK) create a magical effect.

Western music has the ability to

many emotions and moods to create. While Indian music, the ability to create a feeling or mood of Raga has a great produce. An Indian musician improvises with his own creative genius in the context of a raga, but the Western classical music, except jazz, improvisation is so unthinkable. Furthermore, drums emphasizes rhythm in Indian music. Only through your head and keep your ears open as you appreciate the situation, the melodies and different sequences of their own. This applies to the Indian audience to performances of Western music to enjoy, and in public concerts at the western India. Remember that music systems both complement each other, since both halves of classical music.